Fashion
By richard.peckett, on November 15, 2011
It’s time for a Sixties redux. In homage to The Who’s re-release of their seminal album “Quadrophenia,” we’ve created our very own Mod-inspired look.

(l-r): Paul Smith suit, Pretty Green shirt, Topman parka, Grenson shoes, ASOS tie and a Maison Martin Margiela motorcycle helmet
Fashion
By richard.peckett, on November 15, 2011

He has the look of a man who may at any moment start jigging and jiving to Gene Kelly’s “I’m Singing In the Rain.” Oh and by God, he’d do it in style. From the perfectly coiffed, parted hair to the tailored trousers that are cut a good few inches above what your father would term a “sensible” length — this chap cuts-a-dash of the Tom Ford, “A Single Man” variety.
-Photo credit: Michelle Bobb-Parris
Fashion
By kenya.hunt, on November 14, 2011

Those who prefer stilettos and platforms might want to re-think their allegiance after laying eyes on these. The Italy-based designer, Chrissie Morris, is known for her towering, show-stopping Art Deco heels but her foray into flats, Amie, is a pieced together beauty made of leopard print pony hair and stingray that makes a strong case for staying closer to the ground. I ordered these a few months ago and finally got my hands on a pair last week. Seven days later, I’m already restraining myself from over wearing them after realizing during my rounds of press days that these are perfect for pounding the pavement in.
Fashion
By kenya.hunt, on November 11, 2011

It’s funny to see how the ribbon neck tie is having a moment. I had to wear one as a part of my traditional academic dress, sub fusc, for my induction ceremony into school. And when I posted a pic on Facebook, I surprisingly got tons of compliments on the outfit. (Who knew?) That said, the look above conjures up a similar academic feeling but in a more retro kind of way.

(l-r): ASOS blouse, Raoul skirt, Zara bag and Acne shoes
-photo credit: Michelle Bobb-Parris, Who is Bobb-Parris
Fashion
By kenya.hunt, on November 10, 2011
In an article for Newsweek about the Glamour Women of the Year awards, Robin Givhan grazed the subject of intellect, politics and fashion:
It’s the fashion part that always seems to make some women uncomfortable. Not because they can’t figure out what to wear but because they can’t reconcile limousine heels—the sort that are so perilously high that walking is at one’s own risk—with brain power, chutzpah, and compassion.
This brings up the subject of former first lady Laura Bush and her daughters, Barbara Bush and Jenna Bush Hager, who were honored for their charity work. Jenna was hailed for her work in AIDS awareness, and Barbara for focusing on improving health care in poor countries. But it was Laura Bush who, of the three, was the star attraction. In a video biography, she was hailed for her advocacy for the rights of women in Afghanistan who were living under the Taliban, for her work in international health care, and for her global focus. “After Sept. 11, my perspective broadened to women around the world,” Mrs. Bush said in a scene from her video.
…Still, when the Bush trio accepted the award, presented by former secretary of state Condoleezza Rice—a winner in 2008—they performed a lackluster bit of shtick around the premise that the current issue of the magazine is a cross between a sex guide and a Miss Congeniality handbook. Rather than using self-deprecation as a way of injecting humor into the proceedings—and distancing themselves from the glitz of the fashion industry, as they seemed compelled to do—they bit the hand that was stroking them. Their hapless comedy made them appear unsporting, even as they offered words of encouragement to the young girls from local schools who were also part of the audience.
Fashion seems to leave some accomplished women tongue-tied or tripping over their own words. They take on a protective stance in public, and they exude insecurity in their condescension.
Relax, ladies.
Take a cue from Jennifer Lopez. As she accepted her award, dressed in an elaborately embroidered, blush-colored, provocatively slit Versace gown, several young girls screamed, “You look beautiful.” Lopez responded with a simple “Thank you.” She then recalled a bit of advice from her grandmother: “Always go out looking nice. People like that. They respect you.”
This immediately got me thinking about some reading I’ve been doing recently as part of my grad school coursework at Oxford about the relation of the skirt to political power in the 19th and 20th centuries. Basically, skirts tended to become bigger and more ornate during periods dominated by powerful women rulers — think: Empress Eugénie, Queen Isabella, Elizabeth of England, and even Marie Antoinette.
There’s a long history of women leaders who embraced fashion to display their political importance and yet there was always this underlying tension in which many of them were publicly judged and criticized for it, with most of the digs coming from their male counterparts who were promoting this notion that a fashion plate could not rule anything with seriousness. That said, it’s remarkable to see how many intelligent women have internalized this idea that was born centuries ago out of an antiquated form of sexism. It only requires a small amount of self-awareness to break the cycle. Interestingly, Eugénie, Isabella and Elizabeth brazenly pushed their personal fashion forward in the face of skepticism.
Fashion
By kenya.hunt, on November 10, 2011

This Duran Duran video wins on almost every level (except, perhaps length?) It’s like George Michael’s “Freedom” circa 2011. Fast forward to the 7:20 mark to see what I mean – Naomi kind of kills it.
Fashion
By kenya.hunt, on November 7, 2011

1 – I was shocked to get a WWD alert on Saturday morning announcing that Loulou de la Falaise, Yves Saint Laurent’s long-time muse, had passed away at the age of 64. What a huge loss for the fashion world. Revisit her most iconic moments with Fashionista’s impressively thorough online tribute. [Fashionista]
2 – Robin Givhan’s sartorial takedowns of politicians are always priceless. Her reading of U.S. presidential hopeful Herman Cain’s double breasted suits is especially good. A few excerpts:
In the matter of aesthetics and nonverbal communication, Cain appears never to have witnessed a 60 Minutes ambush interview, a TMZ video, or a single episode of Law & Order. Otherwise, he would be familiar with the rule: don’t get angry on camera. The candidate understandably has become aggravated by media queries about his past—but such is life on the campaign trail. So he was not helped when he was recently taped snarling “Excuse me, EXCUSE ME!” to a throng of reporters wielding cameras. His image was also not aided by the presence of a hulking bodyguard sporting a pin-striped suit with a Steve Harvey-esque, four-button stance and looking more like a thug named Tiny than a professional security presence.
Cain’s own attire hasn’t been much better, but for different reasons.
No other candidate on the Republican docket has demonstrated the kind of affection Cain has shown for the double-breasted suit—this menswear silhouette with its wide, peak lapels. He has favored six-on-two button suits in solid charcoal as well as those with subtle chalk stripes. To be sure, Cain’s suits are well cut and he has the stature to carry them. Still, they have always been a curious choice and they have now become ill-advised. He would do well to expunge every double-breasted suit from his wardrobe.
And a bit more…
Cain’s love of double-breasted suits also links him to religion. He is an ordained Baptist preacher and a man with a habit of breaking out in gospel song at the slightest provocation. Ministers of a certain persuasion often seem to have a predilection for double-breasted suits, as well as three-piece ones. Some of that must surely be because of tradition and formality, but there is also an element of the hierarchal at work. Instead of choosing the most modest and humble of suits—a sack suit, perhaps—they opt for something more regal. The fancy suit distinguishes them from the mere congregants they lead. It gives them the appearance of clout, dignity, and righteous grandiosity.
[TDB]
Fashion
By kenya.hunt, on November 4, 2011

Speaking of shiny rock stars, Nicholas King’s new capsule collection for Freedom at Topshop hits stores today. (You may remember King from our chat earlier this year.) The line features Eighties flavored versions of his trademark resin bracelets, with embedded lace, crystal stars, silver skulls, and other glittery ephemera — and at slightly lower prices than his main line to boot.
Fashion
By kenya.hunt, on November 4, 2011

Today’s Women’s Wear Daily revealed that Prince will be performing at the Versace for H&M show in New York next week and I have been (no exaggeration) talking about this all morning. The problem: I was invited but can’t attend because I live all the way across the waters in England. So I have to console myself with this YouTube clip of him in radiant, gold leggings that are very much in the spirit of Gianni and deliciously bouncy curls (who did this man’s roller sets?) Oh, and Nicki Minaj will be performing at the event next Tuesday too. Best catwalk entertainment lineup ever.
Fashion
By kenya.hunt, on November 2, 2011

While talking about his new capsule collection for J Brand, Christopher Kane interestingly told British Vogue that he designed it to complement his resort collection. Rewind back to the London shows in September, when our street style photographer, Michelle Bobb-Parris, snapped Eliza Doolittle wearing an expertly styled mix of Chris Kane resort and J Brand (a moment also captured by British Vogue) and it all comes together.
It’s an interesting strategy, designing a lesser expensive capsule collection to mix and match with the main line, and one that maybe the H&Ms and Targets of the world should explore as well? I say this because it seems to be more in line with how women actually dress: Splurging for that one covetable piece and then mixing in more affordable bits and bobs (granted, J Brand is hardly cheap.) Plus, the “greatest hits” approach can only work for so long.
That said, this is also another example of how street style placement has become almost as instrumental in driving sales —if not more? — as the magazine credit. I’m thinking about all of those photo bloggers in Paris who were struggling during the heat wave to snap as many women in aw11 (i.e. the stuff that was actually in stores) as possible after days and days of having to settle for shots of women wearing summery stuff. And then opening WWD the next day to see a giant street style image of that new merch with a caption telling readers to go online to find out where to buy it. I’m curious to know how many women will be motivated to snag Kane’s neon jackets, shorts and flares after seeing images of Eliza’s terribly cute outfit online.
 Christopher Kane + J Brand
 Christopher Kane + J Brand
 Christopher Kane resort (same model and all!)
-street style image by Michelle Bobb-Parris
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About Kenya
Kenya has written for magazines including American Vogue, American Marie Claire, British Vogue, InStyle and Jane. She is also a contributor to Vogue.it. The former New Yorker now lives in London where she covers the fashion and beauty world for Metro.
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